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29.53 x 14.96 in
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11.81 x 11.81 in
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27.17 x 27.17 in
Painting
11.81 x 11.81 in
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15.75 x 11.81 in
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15.75 x 11.81 in
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12.60 x 11.81 in
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11.81 x 12.60 in
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Argentina

Biography

  • ALWAYS BUY, BUT ALWAYS, THAT ONLY WORK OF ART SOMETHING THAT TRANSMIT, OR THAT SIMPLE AND JUST LIKE YOU.
  • Nothing worse than a blank wall, dress WITH TABLE
  • A work is unique, irreproducible AND LIFE.   
  • ART is a INDEPRECIABLE INVESTMENT
  • SOS FOR THOSE WHO THINK THAT THE NEED TO UNDERSTAND ART TO ISSUE OPINION? DO NOT BELIEVE. WITH A BIT OF GOOD TASTE AND GOOD EYE IS ENOUGH.

Heart .... Thanks to...

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Argentina

  • ALWAYS BUY, BUT ALWAYS, THAT ONLY WORK OF ART SOMETHING THAT TRANSMIT, OR THAT SIMPLE AND JUST LIKE YOU.
  • Nothing worse than a blank wall, dress WITH TABLE
  • A work is unique, irreproducible AND LIFE.   
  • ART is a INDEPRECIABLE INVESTMENT
  • SOS FOR THOSE WHO THINK THAT THE NEED TO UNDERSTAND ART TO ISSUE OPINION? DO NOT BELIEVE. WITH A BIT OF GOOD TASTE AND GOOD EYE IS ENOUGH.

Heart .... Thanks to everyone for their messages about my work ....  

As the great masters

Countries closer to the painting of this artist can reach amount to the most prodigious adventure. Launched in the first place for his boundless imagination, encoded immediately by a numbered series of visions in which Venice and motherhood, as well as expressive and impressive nude photos are an important place, and who have more immediate justification and explanation of his most finished in those other categories, small and apparently secondary, completing and enriching the composition significantly principal.En Marco Ortolan which is revealed as what they had is a painter first line, an heir, secure and confident and first line of plastic goods Italian Renaissance, which refers again and again, not only for reasons of composition, but in search of the cleanest roots of his art, so also deepened and expanded his work, his own, concluded for be taken as born in the sixteenth century, and in that place of privilege, Venice, whose waters are flowing, forever, without ever interrupting the vitality of its source creador.Venecia reflux, and within it, several works of art born at different latitudes that Italy always amazing when it comes to measuring the capacity and quality of its various important artistic movements over many centuries, however getting the real miracle of this flow is kept constantly updated and fresh , while the same work of Marco Ortolan seems to emanate from her in an attitude of respect and great understanding of aesthetics, two of the greatest strengths of what this young architect and painter, as leading to each time tela.Empapado those genesis of other water, bathing places Venice and its most beautiful, and evokes Marco Ortolan choppy visual words animation, and admiration, because one and indivisible is the emphasis that links the two, and also the splendid beauty that both corona.Hermosura that hangs like a precious jewel on the painter maternity threads in his brilliant style, or anonymous people, including "The handsomest drowned man in the world", which contains in itself all the sepulchral beauty of death, especially harnessed & 39;for unique occasion for an appointment as indelible. And evidence, all that the artist draws and paints like the great masters of all time, in a crown of unfading light, rare sustained greatness and wealth, all of which are extremely high exponent. July 2003. Cesar Magrini Writer and Art Critic. .................................................. ....

Interview by the newspaper "La Nacion" MAY 07.

THE BRUSH THAT CATCHES THE BEAUTY OF THE TURF.

Marco Ortolan is a career artist who allowed him to display his talent for painting Marco Ortolan is a painter and studied drawing from 13 to 19 years. His relationship with the turf came from the hand of admiration for Toulouse Lautrec, French Neo-Impressionist painter in his paintings embodied all their passions, including dancers from the Moulin Rouge and horse racing. Ortolan held an exhibition of his paintings in the Palermo racetrack for 15 days from May 1, the date of Argentina. In fact, the owners of the Uruguayan Potries Flash, one grand prize winner, took as a gift a painting of Ortolan additional to the time that the pingo was crossing the disk. -

When did you start working with horses? "I always liked the visual outcome of horse races, Rubens, the Baroque Dutch painter, painted horses in battle. I started drawing with pen, based on the photos that came racing in the NATION and then switched to oils. Ortolan has many drawings with ballpoint pen with the horses as the theme. About a year ago, had proposed to the authorities of the Palermo racetrack add, as a gift for winning big prizes, a drawing of the winner. This project was last year but the deal was not successful and this year, the artist tried again but something had changed: he had already begun to paint their own, oil on horse racing. Palermo fell in love with these paintings and drawings would not pencil. All this led to the Ortolan presentation made in May. "The first oil on turf I did for an Italian who was arming a collection called Metropole, and had to do with the ads. So I painted a career in Delaware Park, USA, where posters are advertising, yet this has to look at the Metropole, with the cities. " For the exhibition at the track, Marco asked some photographers images and Palermo and painted a big picture with the arrival of the Polla de Potrancas. Then he was immortalized on canvas Emotion Parade, which shortly thereafter was awarded the best mare Pellegrini year. "In this sample also took a picture on a career of San Isidro, which took the photo of a book, and others took out the Internet. It was the first time he stepped on the racetrack and it was exciting see so many people were watching the pictures, you could not walk. "

Do you think continuing to paint on careers? "Yes, I called some racing fans because they liked my paintings. The paint is clean lines do beauticians. Some works will have them to explain, but for me the painting enters the eye, my style is very realistic and plays well. To this day people, a reminder of the triumph the framed picture, I make paintings that will be on from generation to generation.

By Joseph Master Of the Writing of the NATION ......................................... .............

ACADEMIC

Born on 1 August 1973.Arquitecto. Since 1985 is formed plastically at the Academy of Miguel Pérez Macias where he developed the Drawing and Paint concerning the Italian Renaissance and French Impressionism.

Further implements the technique of "Pen" in their drawings.

Group shows

Universidad del Salvador
Prison Officers& 39; Circle
Logosophical Inst.
Channel 11 TV.
Galleries San Telmo.
UB Biennial
Trusting Commune Romano (Italy)
Latin American Art Museum. (USA).
"Metropole" (Portugal).
Museum of American Art. (Uruguay).
Ushuaia.
Arteclásica 2008

Solo

2000 - 2002 Province of Venice (Italy).
2001 Bic Argentina (Museo Renault).
2001 Paseo Alcorta
2002 Mar del Plata.
2002 Treviso (Italy)
2002 Ministry of Interior.
Inst 2003 Dante Alighieri.
2003 Gal. Form.
2004 Gal. Form.
2004 Naval Center.
2005 UCES
2005 Bahia Blanca Shopping.
2005 Merck Laboratories.
2006 UCES
2006 Bolsa de Comercio de Buenos Aires.
2007 Centro Cultural Borges.
2007 Palermo Hippodrome - Grand Prix of Argentina.
2007 "Che Tango" - Permanent Exhibition on Paper Pens with tango themes.

2008 Veritrade (Plays Fantasy) Munich.
2008 Microotel - Costa Salguero

2008 Art Gallery "Grand Masters" (Argentina) /[-]

2008 Gallery Marier (Argentina)[-]

2009 Galeria El Greco (Veracruz - Mexico)

2009 Gallery "OWO" (Porto - Portugal)

2009 Gallery "Espacio Arroyo" (Buenos Aires)

2009 Gallery "Grand Masters (Bs.As)

2009 Museum Quinquela Martin (Buenos Aires - Argentina)

BR 2010 Gallery Art Gallery (Bs.As)

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